Long-form editing
Video, interview or podcast. Narrative structure, pacing, sound design, colour and motion, built to hold attention from the cold open to the final call to action.
We came from documentary and broadcast television, where a sequence that loses attention never airs. Now we turn one recording a week into a month of content — the long-form edit, the verticals derived from it, the thumbnails, and an honest monthly read of what worked.
We operate like an extension of your content team: a dependable production rhythm, one creative standard and fewer hours lost managing post-production.
Video, interview or podcast. Narrative structure, pacing, sound design, colour and motion, built to hold attention from the cold open to the final call to action.
Four, sixteen or thirty clips cut from the same recording depending on your plan — each opening on its own hook, not on the parent video’s.
Thumbnails, titles, descriptions, chapters and per-platform exports. The edit arrives ready to upload, not ready to reformat.
Five fixed indicators and three decisions for the month ahead. Not a dashboard — a short, honest read of what is worth repeating.
Most social editors learned on social. We learned in documentary and broadcast television — rooms where every cut had to be defended and a sequence that lost the audience was pulled before it aired. That training does not expire when the aspect ratio changes.
We build the spine of the video first and get it approved before a single graphic exists. No transition rescues a sequence assembled in the wrong order.
Where a beat lands, how long a pause holds, when to cut away. Those are the choices that carry a viewer past the eight-minute mark.
We are not decorating your footage. We are finding the version of your idea already inside it, and removing everything that is not.
A production cycle built to remove scattered feedback, uncertain deadlines and inconsistent output. Turnaround figures are first-version times, in working days, from a complete brief.
A short brief — topic, tone, references, key beats — and your rushes in a shared folder. Nobody opens a timeline before reading it.
Structure and rhythm first. You approve the shape of the video before anyone spends a day on polish. First version in 5, 3 or 2 days depending on your plan.
Timestamped comments directly on the frame, in one place. Two consolidated rounds on every deliverable, on every plan.
Verticals cut from the same recording, thumbnails, titles, chapters and per-platform exports. Project files included, yours from delivery.
Three originals produced in-house and labelled as such. Each shows the footage we started from, the decisions we made and what it demonstrates.
Three monthly plans, month to month. Most studios make you book a call before they tell you a number. Ours are below, so you know in ten seconds whether we are in your range.
For a creator or expert publishing weekly on a single channel and steering their own strategy.
For an expertise brand recording once a week — video, interview or podcast — that wants derivation handled without thinking about it.
For sustained output — channel, podcast or both — with editorial support upstream of the recording itself.
Month to month · 30 days notice · Price guaranteed 12 months
clips from one recording
One question decides everything: how often do you record, and how many channels do you need to be on? If you already publish on a rhythm, if your content serves a business, and if the bottleneck is post-production rather than ideas — this was built for you.